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Usually, the only character who can stop these terrors of teenage prurience is the one girl not in a sexual relationship. The psychoanalytical implications of it all are obvious and disturbingly traditional and patriarchical. The Stepfather is refreshing because it turns the '80s horror paradigm on its head, finding a monster not in teenage sexuality but rather in the conservative patriarchy that is normally the ideological hero. This monster of patriarchy does not wear a mask nor wield some iconic weapon. His costume is the same costume many men have long worn as they play out the daily role of hard-working suburban family man: tie and jacket for work, sweater over a buttondown at home.